A bride walking through open grass in flat morning light.

The quiet partof the day.

A photography studio working across weddings, portraits and editorial commissions.

We shoot at the edges of the day, when the light is doing something you cannot ask it to do twice. Everything after that is logistics.

Selected work

Two women resting on a velvet sofa in front of a painted mural.
Marta and Junia, spring commission
Black and white portrait of a woman turning away from a hard sidelight.
Portrait sitting, studio floor
Two hands holding small daisies above a field.
Ines and Rafael, September
Model in a white suit seated on a metal chair against a pale wall.
Lookbook, Norra Atelier
A couple embracing, seen softly through frosted glass.
First look, behind glass
Woman lying among dried gypsophila in warm afternoon light.
Editorial, issue eleven

One wedding,
start to finish.

Hollie and Tom, eleven hours, two rolls of black and white and a very late dinner.

Couple standing close in a bare room crossed by window light.
Before anyone else arrived
Bride and groom framed by a tall arched window.
The vows, said twice
Guest holding the bride through a veil against a coloured wall.
Her mother, finally sitting down
Long exposure of a white dress moving across a dance floor.
Shoes off, half past ten
Couple dancing inside low fog under warm festoon lights.
The last song

What we photograph

Couple dancing surrounded by guests at a wedding.

Weddings

Full-day coverage for two of us, an edited gallery of roughly six hundred frames, and thirty of them printed.

Close black and white portrait of a woman looking into the lens.

Portraits

Ninety minutes, daylight only, at the studio or somewhere that already means something to you.

Model on a set with lighting stands and a paper backdrop.

Editorial and commercial

Campaigns, lookbooks and press portraits. We can bring the set, the crew and the licence you actually need.

Mara Halvorsen holding a film camera to her eye.

Mara Halvorsen

I started Vesper in 2013, after six years of shooting other people's assignments and slowly working out which half of the frame I actually cared about.

I work quietly and I work close. Most of what ends up in a gallery happened while nobody was being told where to stand. I still shoot part of every wedding on film, because it makes me slower, and slower is the entire point.

Book a date

“We opened the gallery and my mother cried at the third photograph. That is the whole review.”

Elin Sørby, married in June

“Mara shot the spring campaign in one afternoon. Half of what we ran went out unretouched.”

Piet van Dael, brand director at Norra Atelier

“I have never liked a photograph of myself. I now have eleven of them on a wall.”

Tomás Iriarte, cellist

Book a date

We take a small number of commissions each year so that none of them feel like the fourth one that month. Tell us the date and we will tell you honestly whether we are the right studio for it.

studio@vesper.photo
WhatsApp, +40 778 253 169

If it is not fixed yet, leave it empty.

Venue, light, how many people, what you are worried about.

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